― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 4:15 PM (2 hours ago) Bookmark Suggest Ban Permalink
"Intro" ft. Starr
So the intro sets the tone of the album pretty much right away, if not sonically then thematically. This album is about Jim Jones and the fact (read: made up bs) that he is a Gangster and a Hustler with both a capital G and H and especially one of the Harlem-specific variety. The name Nicky Barnes comes up within a matter of seconds into this song. Like I said, the beat is gorgeous, 70s soul guitar, wailing horns, live percussion (prob sampled). The cool thing about this song is that throughout the whole thing there's always a bunch of other voices going on beside Jimmy, there's a guy with a dope falsetto singing about being a hustler and a chick kind of just moaning throughout. Also dude's constantly having a conversation with his own raps in the background. No idea who the fuck Starr is but he might be this dude who Jimmy kind of like has a convo with on this song in between verses about rappers being fake and not hustling as hard as Jim Jones etc etc etc. Bu really the big thing here is the No I.D. beat, honestly nothing on American Gangster sounded as good as this. Jimmy raps about fiends, Lexuses, mentions the Roc, really no story just floss.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 4:23 PM (1 hour ago) Bookmark Suggest Ban Permalink
"Pulling Me back" ft. Chink Santana
Sirens. Clinking, Dramatic piano. Uh Oh here comes a serious one. Then Chink comes in with a weak hook about coming so far, having a nice house and big cars (LOLLLL) but how some other people are always trying to take it away from him. This dude sucks by the way. The beat is big and clunky, huge bass drum in a kind of "We Will Rock You" pattern with hand claps and little clinky piano notes. I think Jimmy is trying to tell a story about his life (he says in he watched his Mom cook base) but it's barely coherent because literally 25 secs later he claims he can make the coke spin on its back like Krush Groove and talks about being in a dealership. It's pretty much "a gangster finally made it" if there is in fact a point to this song. Not one of the better ones on the album. Too much drama and not enough meat to it.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 4:32 PM (1 hour ago) Bookmark Suggest Ban Permalink
two dope beats are enough for me to dl this at least
― 14 karat gold steen computer wizard (BIG HOOS aka the steendriver), Saturday, March 21, 2009 4:38 PM (1 hour ago) Bookmark Suggest Ban Permalink
"Let It Out"
Ok this one's kinda dope. Everything builds up in a way that suggests someone actually Produced this album (not just sprayed adlibs over a CDR). Interesting beat that starts with an acoustic guitar and then adds some almost military drums all while Jimmy actually says some interesting shit even though I'm pretty sure the first thing he says is "See, they actin like us comin up so dormented" which is not a even word. But he goes on to say that to the media we look like savages and that it started with sneakers, then went much deeper and that money is an infection and as he's talking it slowly turns into a verse as the beat congeals into a pretty nice groove with a cool synth line, the type of synth that might be on a Yes record from the 80s. Then some chicks come in with a Chorus and dudes in the background going EyyyyyyAyyy! So this song was about money and kinda of a soulful confessional but the second verse is less comprehensible. The streets can call Jimmy back into The Life and he's all wrapped up in it yadda yadda yadda. Basically an almost wasted chance to get a little gospelly o here as he's known to do frequently if anyone's ever listened to his other albums. At the end he shouts out two guys named Hot Dog and Wacko and gives harlem a nice big pat on the back. I think this guy likes to talk WAYYYYY more than he likes to rap.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 4:43 PM (1 hour ago) Bookmark Suggest Ban Permalink
"How To Be A Boss" ft. NOE and Ludacris
Aright here we go this song is kind of a monster. Ron Browz behind the boards, big fucking thumbs up to him for this one, sounds like something LOX or DMX might have torn to pieces in 2000. I love the beat, it's got a sort of nervous sound that gets broken up every 8 measures (this could be wrong fuck it) by some really Major string that come in and just swoop the whole thing up into a big smile. The drums are like big as fuck like "Money Cash Hoes" which kind of gets alluded right off the bat - "Murder, Cash, Cars, Hoes, Fast life as usual is all that we know" is the first sounds you hear with pounding drums beneath em. The drums are crazy, besides the huge bass under everything there are some real subtle fills and the sounds are very live and not Trackmasters cheap and thin. So Jimmy's first and kind of brings some heat. The good thing about this song is that the subject matter actually doesn't detract cuz this is that song where you talk about money and bitches and your chain. His adlibs are unbelievable ("Where's my lawyer!?"). I like a bunch of the lines he dropped on this track but you'll all listen to it cuz Luda is on it so not gona repeat. NOE. What is there to say about NOE besides the fact that HE SOUNDS EXACTLY LIKE JAY-Z AND JIM JONES ARE YOU FUCING DEAF OR RETARDED. But his hook is kinda really fresh on this track I love it. Like for real, his hook is dope right here. Then Luda raps and he's Luda and I love him. NOE gets a third verse and doesn't ruin this song despite the fact that he says is girl had to pee pee. Might be the best song on the album.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 4:51 PM (1 hour ago) Bookmark Suggest Ban Permalink
"Medicine" ft. NOE and Chink Santana
Ughhhh. Every album Jim has new goonies that he puts on 45% of the songs, last time it was Max B and now it's CHink Sanatana I guess, I honestly don't even know who the fuck dude is. He produced this song and it's woozy and spacey and a little unnerving, kind of a throwback to like Timbo/Missy style stuttering drums but not in a good way. This song is about pussy and there's a big metaphor going on in which pussy is medicine. Chink raps in a really annoying accent and draws out all his lines and he's fucking annoying. This song is kinda bad but it's intersting soncially, like if it comes on and you're not paying attention and it's on low volume it will sound cool as long as you don't hear the Jim Jones hook that's really fucking vulgar and brings up images of that man doing sexual things which is disgusting. I think NOE is actually kind of a good rapper but no one will ever know because he sounds exactly like Jay-Z did I mention that.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 4:59 PM (1 hour ago) Bookmark Suggest Ban Permalink
thanking you.
― there's a big metaphor going on in which pussy is medicine (a hoy hoy), Saturday, March 21, 2009 5:00 PM (1 hour ago) Bookmark Suggest Ban Permalink
"Frenemies"
OK this is a big important song on this album and I don't really think it merits a word for word analysis because it's pretty fucking clear what's going on here and if you're interested in this little corner of rap (let's call it XXL-hop) then you will listen to it. It is a song about Cam'ron. Period the end. It's also kind of lame.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:00 PM (1 hour ago) Bookmark Suggest Ban Permalink
"Precious" ft. Ryan Leslie
I've been repping for this song on here for months perhaps and I really think it's a great song. it sounds out of place here though, right after "Frenemies" is such a stupid place for this song. I guess Ryan Leslie produced it, he cooked something really dope for this, the verses are sticky and dark and head-bobbing and, like, rap music for rap fans, and then the hook comes in and everything changes to this lilting grand piano swoon and romantic vibe. I think Ryan Leslie might be the first person to ever really figure out how to make a great Jim Jones song, literally giving him his verses and takin the chorus for himself and turning both into two different sonic landscapes. Ryan gets a little mini verse that takes the static-y synths out of the verse part but leaves the fantastic guitar muted electric guitar and shakers that have been there al along but you never noticed, and he just totally evaporates this track in a few seconds. This guy is a talented motherfucker I will listen to more of him. Jim actually has a pretty engaging thing going on for this song, flow is better than usual, adlibs are A+, cute little anecdotes about chicks texting and he says "smh lol with a smiley face" which makes the whole album worth it. he does say "every Obama needs a Michelle" though. this is just two dudes talkin about broads, i'm in.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:10 PM (1 hour ago) Bookmark Suggest Ban Permalink
"Blow The Bank" ft. Oshy and Starr
"Talkin about that Splash Life" is the thematic tone here. Here's Oshy! Yayyyyy who the fuck are you welcome to the album dude. This song has that Miami sound that Jimmy kind of thrives in (see "Summer With Miami" which remains his greatest contribution to recorded music). It's basically about spending money on women, a big topic for '09. The drums are weirdly pounding which kinda doesn't mesh well with the summery synths and major chords and splashy singing that's going on by two people named Oshy and Starr one is female and one is male and I don't now which is which.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:14 PM (1 hour ago) Bookmark Suggest Ban Permalink
"This is For My Bitches" ft. Oshy
I guess Oshy is the dude in which case I should make an editorial note that in my "Intro" post I wrongly identified Starr as the dude that Jimmy was conversing with when in fact she is the chick singing in the background. Whatever who gives a shit. This song is literally the same exact thing as "Blow The Bank" and could there ever be a more hilarious "song for the ladies" track title. More synths but this time they're kinda vamping and Oshy is crooning all over the place about how sexy women are those sexy things and then calls them bitches and tells them to put their hands up high. Jimmy lives quite a life like Las vegas and cars and certain designer stores he could buy you some shit from them if you hop in his car, I imagine, I'm not really even listening to what he's saying right now.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:18 PM (1 hour ago) Bookmark Suggest Ban Permalink
"Girlfriend" ft. Juelz Santana and Oshy
Whoa, first thing I think of here is old Dipset sound with these sinister strings-preset synth stabs. Jimmy sees thick girls in the room that he's in and then another Jimmy responds to that with "Ray Charles can see that" and this is before the song even starts. Literally we got multiple Jimmys talking to each other and ordering models from a waitress. Ok beat starts and the Dipset vibe is out with a stuttering sparse percussive production with just a hint of a synth accent during the verses. This is a club track apparently, couldn't really tell until Jimmy's first verse is over and Oshy (what's up dude!) comes in with some yodelling (not kidding) and Jimmy has a little shake yer booty hook. Man Juelz sounds like he took 3 xanax bars on every verse he's dropped since "Nothin On Me". QUite literally a forgettable verse from my boy here, I have nothing to say about it. This song is not going to be getting your local discotheque into a frenzy any time soon.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:24 PM (55 minutes ago) Bookmark Suggest Ban Permalink
"This is the Life" ft. Starr
Most people dream of it, this is what we lvie for, they want to take it from us, etc etc. Rick Ross called and said you kinda suck at this and also it's almost Lights Out time. Starr is so useless she sounds those female voices that don't usually get credited with a feature but obviously Jimmy has big plans for this one or something. Steel drum-ish synth notes in a kinda dreamy gentle pattern and boring strings behind them. this song is fuckin wack.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:29 PM (50 minutes ago) Bookmark Suggest Ban Permalink
"My My My" ft. Rowanna
What. The. Fuck. Didn't I just listen to this. Who the fuck is Rowanna. This beat is making my head hurt and Jimmy has literally said the same exact thing for a while now and is this a joke this girl sounds exactly like the last one. "I hope there's a Harlem in heaven." <-------- this song in a nutshell. Crying, you smell me?
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:32 PM (48 minutes ago) Bookmark Suggest Ban Permalink
"Pop Off" ft. NOE and Mel Matrix
Ok glad we're done with that little excursion into romance (four songs) and remorse (two songs) cuz this what we come to Jim Jones albums for, fuckin rap about killing people and robbing people and shit like that. The beat is unremarkable but this is kind of good because believe it or not some people like myself wanna hear what Mel Matrix can do (Byrdgang). This is the type of track that makes you realize what Stack Bundles meant to Jimmy and his plan for Byrdgang cuz dude would have bodied this and it would be fun (if you've never heard Stack Bundles go dl a mixtape he was a good rapper). Anyway, Mel Matrix is competent in a NYC gun talk context, good addition here and his chorus is sufficiently violent and angry and he def. killed this track. This is goon music in the original Byrdgang sense not in your stupid Plies-ironic way. Byrdgang doesn't really come off like a rap force to reckoned with from this track though. They aren't. Jim Jones is better at talking shit than rapping which is a fact that was made famously and unquestionable tryue for all ages in Cam'ron's classic "Hate Me Now" Nas diss track and he talks some shit here too.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:41 PM (38 minutes ago) Bookmark Suggest Ban Permalink
"Pop Champagne" ft. Ron Browz and Juelz Santana
What is there to say about this that hasn't been said. A masterpiece of minimal autotune club music that was pilfered by Jim Jones in a most blatant way. I still can't believe that people let this go down but alas "Pop Champagne" will go down in the history books as a Jim Jones song. If he hadn't jacked it we wouldn't have been blessed with the bizarelly laconic yet engaging and weirdly awesome Juelz mini-verse. The whole club knows those first few words of his verse and when the beat drops out then comes back in with him shit gets picked up another level every time. Juelz definitely found his flow for this one and even though he says absolutely nothing (it actually sounds like it was produced by a Juelz machine with the "Club Song" switch turned on") he just sounds so right on this. It's mostly his voice but I think he's one of those rappers who, even though he's never had a huge hit or even a crossover, is sort of club signifier. Like when people hear Juelz voice on a good club song they dig it. I can't explain it, there are other rappers like this but I think it might stem from "Run It," anyway he sounds totally in the pocket on this song. If you don't love this song you probably play World of Warcraft.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:50 PM (30 minutes ago) Bookmark Suggest Ban Permalink
"Rain" ft. Rell, NOE and Starr
Ugh we're back to this remorseful gangsterizing. I guess there's some genuine emotional stuff in this song but really, who gives a shit. We get it. That's jsut me, I don't know, if you need your spiritual moments provided by Byrdgang you are totally failing. Rell has been on every fucking Jim Jones and post-DI 2 Dipset release and no one knows who the fuck he is. Ron Browz is a GREAT producer, this track is gorgeous, huge and full and almost Tricky Stewart style snaps and "eyys" and really tasteful synths that sound like they might actually be from a synthesizer and not from a Casio in someone's bedroom. Unfortunately it's like totally shitted all over by Jimmy's molasses-thick melodrama. It's worth hearing fro Ron Browz' production, though.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 5:56 PM (24 minutes ago) Bookmark Suggest Ban Permalink
"Na Na NaNa Na Na" ft. Bree-Beauty
LOL. this whole thing is just so hilarious. First of all, the hook is an un-ironic schoolyard taunt thing about haters and money and whatever. Second, Bree-Beauty. hahahhhh. wtf is up with this guy Jim Jones and his ridiculous stable of talent. Also she was paid and received credit for singing the words, "Na nana na na lookin at my ass wish you had a camera." Wow. Third, it's produced by and entity known as "ILLFONICS." I remember when I first heard this song I was in a cab and me two other kids we're really wasted and it was probably 11 pm and we had made the driver put on Hot 97 a few mins before that and the dj (Mr. C?? idk) was like NEW JIM JONES and we just fucking lost it. First, the song bumps pretty hard and is kinda dope in that perfect on the way to the club way, not for the stupid hook but just cuz it's big and pumped up and booming. So one of us reached over and turned dude's radio all the way up and this was before the hook even happened. then we heard the hook and it got really silly in that cab. This song is the ostensible follow-up to "Ballin" except it does not do what it is intended to, mostly ecause of the totally misguided hail mary of a hook. It should be a very big lightning rod for Jim Jones hate, rightfully so.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 6:08 PM (12 minutes ago) Bookmark Suggest Ban Permalink
"Swagga From Us" ft. NOE, Twista and Lil Wayne
old blog leftovers, bonus track. i honestly don't understand anything about this song. It's a diss to Jay-Z but Lil Wayne is on both songs? Twista is a good rapper and he's on it so that's a plus. And we learn that Chink Santana can actually make a pretty good beat.
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 6:12 PM (8 minutes ago) Bookmark
not as good as Hustler's POME, doesn't really show that much growth as an artist although there are some good choices on it, really boring in the middle and definitely not fulfilling Dame Dash's dreams
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 6:17 PM (28 minutes ago) Bookmark
― preview& potmXII& chinchillas& surfboar (surfboard dudes get wiped out, totally), Saturday, March 21, 2009 6:17 PM (28 minutes ago) Bookmark
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