Much has been made recently of this record's raucous chants, Civil War themes, Springsteen references and sea shanty-inspired singalongs. And there have been bands that have done it very recently, as well (Fucked Up could have done it better but didn't). But this record, which is a quasi-concept album about a 20-something transplant in Boston from New Jersey, is a snapshot of a very real, very authentic angst that, unlike that of Springsteen or punk, has a completely amorphous adversary. "The enemy is everywhere," is one of the most visceral hooks. The opposition forces are so vast, so bewildering, that it's just too hard to wrap it up elegantly. There's just too much information, too many flashing lights, too many people to compare yourself to (on facebook, on reality TV), too many disparate and constantly changing cultural movements to keep up with, that sometimes the only way to break through it is to just strum the shit out of your guitar and scream something very old and very familiar at the top of your lungs. This feels like the underside of all the whimsical, detached reconnection to American cultural roots that we see in everything from fashion to tumblr-blogs that glorify anything khaki or wooden; it feels like a real working American man's despair in 2010, filled with nostalgia for stuff he doesn't know and smothered by more stimuli and "art" and relationships than any man should have to filter in one lifetime.
Also, another testament to the healing power of alcohol.
Titus Andronicus, "Four Score And Seven" by gardnerz
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